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Showing posts from February, 2025

The Layers of Identity Through “Crescent” by Diana Abu-Jaber

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Blog V  Crescent by Diana Abu-Jaber is a literary journey that explores culture, self-discovery, and human connections that resonate on a personal level. The story is about Sirine, an Iraqi-American woman, who is a chef in Los Angeles. From the very first page, Crescent introduced a world that beautifully interweaves Sirines past and present, her American identity and her Iraqi heritage. Sirine’s love for cooking is a metaphor for her desire to connect with her roots, and through her creations, Abu-Jaber creates imagery that makes the reader not just a “spectator”, but a part of this story.  Sirine's journey of self-discovery mirrors the challenges many of us face in balancing our personal identities with societal expectations, which is a similar topic to the past stories we have studied. However, this is my favourite so far, as Diana Abu-Jaber has a playful approach but she also seems to quickly dive in deep and serious topics, such as navigating the struggles of a cultural i...

How Does It Feel to Be a Problem

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Blog lV In “How Does It Feel to Be a Problem, ” Moustafa Bayoumi offers readers a thorough exploration of identity and belonging, in a way, similar to “Salt of the Sea” by Suheir Hamad. In his book, specifically in the stories Preface and Rasha, Moustafa Bayoumi describes the often complicated relationships that individuals navigate within their communities. Bayoumi’s narrative not only encourages a sense of vulnerability, but also showcases courage, especially through his depiction of Rasha, a young Arab-American woman, and after 9/11 in America.  Her story is relatable to many, as Rasha isn’t necessarily someone “special,” as Bayoumi has explained previously, the characters in his books aren’t heroes or villains, but they are everyday people with real lives. Rasha’s struggle is a reflection of many who faced discrimination just for existing and who had doubts regarding personal identity. The tension she feels between her cultural heritage collides with the pressure to conform to ...

The Salt of the Sea

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Blog lll Salt of the Sea is an exploration of identity and belonging. The movie, featuring Suheir Hamad, similarly to her poetry, delves into deep personal connections to a homeland, that many can only dream of reclaiming. As often said, we are the stories we tell ourselves, Suheir Hammad’s writing deeply resonates with memory and heritage. In her poetry she says, “I am from a place where the black is not blue, the olive is not green, the earth is not even. I am from a place that is not on a map”, the feeling of dislocation is the central to her work. Released in 2008, The Salt of the Sea, not only represents a powerful narrative but also serves as a voice for those who have experienced dislocation and dispersal, particularly within the Palestinian community. The movie is about a woman who confronts the complexities of her cultural heritage and the painful realities of displacement. As Suheir Hammad flawlessly captures in her poetry what it means to be caught between cultures, to exper...

The Prophet

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Blog ll “The Prophet” by Khalil Gibran captures the essence of human life. In his poetry, the emotions he describes and conveys, deeply resonate with me, specifically the chapter titled “On Love”. This chapter delves into the nature of love; with its highs and lows, it emphasises that love encompasses both joy and sorrow, but instead of only appreciating happiness, he explains that beauty lies in heartache too. How else would we grow? Gibran articulates that love is not merely a source of happiness but also an experience that includes suffering, longing, hurt, and consequently, growth. This duality is what makes love beautiful; it shapes us and enriches our lives in ways we may not always appreciate in the moment. Essentially, we learn to understand that pain shapes us and allows us to grow. With time passing, we begin to see love as an entirety. It’s better to love, with all its joy and sorrow, than to never have loved. And similarly, it’s better to live, than to never have lived. In ...